With government cuts in financial aid and sky-high student loans, getting through college isn't easy these days. It just got still harder thanks to the Recording Industry Antichrist of America. The RIAA is now sending courtesy pre-lawsuit notices (you read that right) to a dozen lucky universities. The notices make two demands: that the schools turn over the names of students tied to IP addresses suspected of file sharing, and that they pass on the notices to students. This leaves the schools in a curious position. The Digital Millenium Copyright Act requires them to crack down on the use of technology to violate copyrights. At the same time, the Family Education Rights and Privacy Act forbids them to turn over student records to every Tom, Dick, Harry, and Antichrist who wants them. If the universities rat out their kids and pass on the notices, lucky recipients will get to settle out of court for what the RIAA calls a "substantial" (but undisclosed) discount in lieu of the usual average $3000 damages. But only if they call the RIAA or register at p2plawsuits.com. The first round of courtesy notices has gone out to Arizona State, Marshall University, North Carolina State, North Dakota State, Northern Illinois University, Ohio University, Syracuse University, U-Mass Amherst, University of Nebraska at Lincoln, University of South Florida, University of Southern California, University of Tennessee at Knoxville and the University of Texas at Austin. This latest gambit echoes another recent RIAA move: Using ISPs, in lieu of the courts, to demand payouts from their own customers.
Just 3 to 6 inches thick, plasma TVs can be set up next to or mounted on a wall, preserving precious room space. Screen sizes range from 37 inches diagonal to a cinematic 70 inches, and models as large as 108 inches have been shown.
<I>The Matador</I> is an off kilter comedy that works by expertly playing on the audience's expectations without being overly manipulative. Erstwhile 007 Pierce Brosnan plays the the low down and dirty version of JB, a hit man for hire with very bad people skills. He's coming to the end of his run at the top, and has enough money to retire, but nothing or no one to retire to, not a single friend or any other human connection. While on a job in Mexico he runs into Danny, played by Greg Kinnear, who's also in town on a business trip, albeit ina different line of work! The two strike up as mcuh of a friendship as Brosnan's Julian allows, and inevitably when Julian's bosses decide he's more of a lliability than an asset Kinnear's Danny is the only friend he can turn to for help.
Wow. I'm generally more into Will Ferrell than Colin Farrell, and still haven't forgiven Joel Schumacher for <I>Batman and Robin</I>, so <I>Phone Booth</I> wasn't even close to being on my radar until it showed up on Blu-ray. Happy to say, this was a surpirse as both a movie and BD transfer.
Got your blanket with you? I have barely a passing familiarity with Douglas Adams' <I>Hitchhiker's</I> series of books. So passing that I actually thought it was a single book, and only found out that it was first a radio creation and then a series of books, TV shows, and other media creations when I read the Wikipdia entry before writing this.
What do you say about a Best Picture Winner? For one, I can say I didn't think it was the best movie I saw in 2006, even though I only saw a handful of movies. I can also say unequivocally that I don't agree at all that this is Martin Scorsese's best movie since the seminal <I>Goodfellas</I> in 1990. <I>Kundun</I> and <I>The Aviator</I> were as good or better. But Oscar had some catching up to do, and did so with a vengeance.
Ben Affleck drunk, and wearing tights- threat or menace? Actually <I>Hollywoodland</I> reminded me that we once knew Ben Affleck's name because of his acting talent and not the sheer tonnage of projects he was involved with or who he was engaged to. This well crafted movie tells the story of the death and then life of George Reeves, the Superman of 1950s camp TV. Coming in I knew nothing of Reeves' mysterious death let alone his life beyond the tights. <I>Hollywoodland</I> weaves through Reeves' life by way of a private investigator's look into his death, a character the film's creators acknowledge is an amalgam of several people and not a real person. The other chracters names have apparently not been changed to protect the innocent (or guilty).