Throwback Thursday

There may be no singular product in modern audio history that has generated more accolades, derision, or pure controversy than the Bose 901 loudspeaker. Introduced in 1968 by a then four-year-old concern named after its MIT-educated founder, the 901 neither looked, nor sounded, like any speaker that had come before it. With its pentagonal cabinet that faced eight of its nine identical 4-inch, full-range drivers at the reflecting wall behind the speaker, its designer Amar Bose sought to have it mimic the way we hear in concert halls and imbue its sound with a giant soundstage and spatial realism that was unsurpassed.

In the very first issue of HiFi & Music Review in 1958, the magazine that became Stereo Review and then Sound & Vision, a gifted 31-year-old artist named Charles Rodrigues contributed the first in a string of cartoons that both celebrated, and made fun of, that odd bird known as the audiophile. It ended up being a long run that lasted more than 40 years.