THE S&V INTERVIEW

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Chris Chiarella Posted: Aug 16, 2006 0 comments
Multitalented, Modest, and unassuming: The Lost City's Andy Garcia.

Whether he plays the hero or the heavy, the always-intense Andy Garcia is impossible to ignore on screen. With The Lost City (on DVD August 8 from Magnolia Home Entertainment), G. Cabrera Infante's bittersweet tale of the Cuban Revolution, the Havana-born actor/director has crafted a profound cinematic work and one of his most powerful performances. Just don't call him a sex symbol.

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Chris Chiarella Posted: Jul 24, 2006 0 comments
Televisionary: Writer/producer Stephen J. Cannell looks back at nearly four decades of top-flight programming.

You might known him best as a wildly successful producer with as many as six shows on the air at once. To others, he's a prolific writer who created or elevated many of television's most beloved series. Or you might just recognize him as that guy who yanks the page out of the typewriter at the end of The A-Team. With the release of his feature films Demon Hunter and It Waits on DVD from Anchor Bay, Stephen J. Cannell gave us more than a TV hour (that's 45 minutes to you and me) to discuss his extensive legacy.

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Chris Chiarella Posted: Jul 05, 2006 0 comments
Producer/Engineer Elliot Scheiner is a driving force for 5.1-channel music.

After working with some of the biggest names in music, producer/engineer Elliot Scheiner—also a pioneer in and champion for multichannel music—wanted to take us for a ride. Working closely with Acura and Panasonic, Scheiner developed his namesake ELS 5.1 sound system, first for the Acura TL and now for Acura's new luxury SUV, the RDX.One of Panasonic's finest recently chaufferred me in a DVD-Audio-blasting Acura TL to Scheiner's secluded home studio to discuss the artistry, technology, and business of music.

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Chris Chiarella Posted: May 25, 2006 0 comments
Straight Shooter Director Doug Liman hits the mark every time.

In less than a decade, Doug Liman has established himself as one of Hollywood's most versatile—and successful—directors. He has nimbly moved from comedy to thriller to a unique hybrid of the two in Mr. & Mrs. Smith, soon to be re-released in a new, unrated DVD edition from Fox Home Entertainment. Here he talks about the challenges of making quality movies in a demanding business.

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Chris Chiarella Posted: Apr 11, 2006 0 comments
Cinematographer/Editor/Visual-Effects Supervisor Robert Rodriguez might well be the hardest-working man in show business.

Much like the guitar-playing hero of his Mariachi trilogy, Robert Rodriguez is a one-man army—a veteran moviemaker well versed in all of its disciplines. Success born of unending creativity has led to unmatched creative freedom at his own Troublemaker Studios, far from the stodgy bureaucracy of Hollywood. Somehow, he found some time to talk to me about his work, including the ceaselessly stunning Sin City.

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Michael Fremer Posted: Mar 31, 2006 0 comments
HT goes inside the Late Show with David Letterman's HD transition.
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Chris Chiarella Posted: Mar 10, 2006 0 comments
Frankie Goes to Hollywood: How Frank Miller conquered Tinseltown . . . by way of Austin, Texas.

Frank Miller: Renaissance man. He's had legendary runs as writer and artist on the comic book Daredevil (including the creation of Elektra) and the historic miniseries Batman: The Dark Knight Returns (about a geriatric Caped Crusader, a pubescent female Robin, and a sexually ambiguous Joker). Miller also scripted the two RoboCop movie sequels. Around this same time, he also thought up his predominately black-and-white crime anthology, Sin City, which he would ultimately direct, with Robert Rodriguez, for the big screen. The movie is now available in a stunning special edition from Dimension Home Video. Remarkably serious yet surprisingly soft-spoken, Miller recently honored us with an invitation to his New York City studio.

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Adrienne Maxwell Posted: Mar 01, 2006 0 comments
Behind the scenes at the 2006 Grammy Awards. Organized chaos. That's what I witness as I walk backstage and move through the adjoining corridors of the Staples Center. It's the day before the Grammy telecast, the final of three rehearsal days leading up to the big event. U2 has just finished their hour-and-a-half rehearsal, and breaking down their set has taken longer than planned. While one team maneuvers U2's massive equipment through the ramps backstage, another works feverishly to ready the stage for the next act. Still other crew members hurry to and fro with no apparent destination.
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Steve Guttenberg Posted: Feb 07, 2006 0 comments
I could easily fill pages of this magazine with a complete list of Phil Ramone's credits and achievements, but I'll stick with this condensed rundown. He's won 12 Grammy Awards and one Emmy, and he's worked with a virtual who's who of music: Burt Bacharach, Tony Bennett, Ray Charles, Chicago, Gloria Estefan, Aretha Franklin, Billy Joel, Elton John, Quincy Jones, B.B. King, Madonna, Luciano Pavarotti, Paul Simon, Frank Sinatra, the Rolling Stones, Barbra Streisand, James Taylor—and those are just the highlights. Ramone is chairman emeritus of the board of trustees of the National Academy of Recording Arts and Sciences. He is also a trustee of the National Recording Preservation Board of the Library of Congress.
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Steve Guttenberg Posted: Jan 31, 2006 Published: Jan 15, 2006 0 comments
Even if the names Brian Holland, Lamont Dozier, and Eddie Holland don't ring any bells for you, you surely know their music. They wrote most of the Supremes' and the Four Tops' megahits, such as "Where Did Our Love Go?," "Come See About Me," "Baby Love," "You Keep Me Hangin' On," "Baby, I Need Your Loving," "How Sweet it Is (To Be Loved by You)," and "Reach Out, I'll Be There." The three men supplied a steady stream of top-ten singles for Marvin Gaye, Jackson 5, Martha & the Vandellas, and many others.
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Aimee Giron Posted: Dec 06, 2005 Published: Dec 07, 2005 0 comments
Tune in to afternoon TV, and you're bound to run into a slew of children's programming. You may notice a tremendous presence of shows that look very similar to those native to Japan. Anime sagas such as Cowboy Bebop and Sailor Moon, as well as films by anime gurus such as Hayao Miyazaki (Spirited Away, Nausicaä of the Valley of the Winds), have been around for several decades in the East; however, the genre is still relatively new to the American audience. There is no doubt that the influence of Japanese anime is on the rise. We had the opportunity to speak to one of the most innovative Japanese filmmakers, Satoshi Kon, a man known for his extraordinary vision and ability to take his audience by surprise.
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Chris Chiarella Posted: Oct 28, 2005 Published: Nov 28, 2005 0 comments
Film editor Thelma Schoonmaker on movie quotes, fact versus fiction, and "Marty withdrawal."

Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.

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Chris Chiarella Posted: Oct 28, 2005 0 comments
"I put a good deal of thought into how my movies will look on home video."
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Steve Guttenberg Posted: Oct 28, 2005 Published: Sep 28, 2005 0 comments
Gabriel talks about his new dvd play, technology, and why ipod won't take over the music world.

Peter Gabriel's career got off the ground when he fronted one of Britain's top prog-rock bands, Genesis. He went solo in 1975. For this interview, we focused on his groundbreaking videos and his lifelong fascination with technology.

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Aimee Giron Posted: Oct 28, 2005 Published: Aug 28, 2005 0 comments
With such Disney credits as Pocahontas, The Lion King, and, most recently, the restoration of the classic film Bambi attached to his name, lead restoration animator Dave Bossert shares his experience in bringing back the spirit of the famed deer and why we still chase after that light at the end of the tunnel, no matter how old we get.

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