SURROUND PROCESSOR REVIEWS

Sort By: Post Date | Title | Publish Date
Chris Lewis Posted: Jul 14, 2003 Published: Jul 15, 2003 0 comments
Lexicon's next generation arrives with a bang.

You can't please everybody, especially in the home theater world. Lexicon came close in 2000 with the release of the MC-12, an end-all pre/pro that carried on the company's tradition of performance but also addressed the few issues that people had with earlier Lexicon controllers like the MC-12's direct predecessor, the MC-1. Almost everyone, myself included, loved the MC-1's sound, tweakability, and just about everything else. As with any high-profile piece, though, people did raise questions about the MC-1—some legitimate, some not. The MC-12 directly addressed the important issues, like the lack of analog bypass and a six-channel input. (Remember that, when the MC-1 debuted, SACD and DVD-Audio were still just a twinkle in the audiophile's eye.) Even many of the peripheral issues, such as aesthetics, got some attention on the MC-12. The only remaining issue was price, as the MC-12 cost a few thousand dollars more than the MC-1. True, but Lexicon didn't replace the MC-1 with the MC-12; they simply provided the MC-12 as another option.

Chris Lewis Posted: May 12, 2003 Published: May 13, 2003 0 comments
Parasound's 7.5-channel surround controller has finally landed.

While it may always get second billing in the parade of human emotions, don't forget about anticipation's potent influence. This is the force that has been linked to Parasound's Halo C1 pre/pro ever since its trade-show debut a few years back, and it has only gained momentum with each successive instance of display without delivery. While some critics speculated that Lucas-like patterns of prolonged hype were at work, most people figured that Parasound simply wanted the C1 to be right before they finally let it go. Once you dig into it, you'll see why that took some time.

Chris Lewis Posted: Dec 19, 2002 Published: Dec 20, 2002 0 comments
A flagship pre/pro, Arcam's way.

If there's one thing I know about Arcam, it's that they like to do things their own way. Yes, this is a high-end company and, as such, is relatively small—which usually means that they wouldn't have the resources to do major product overhauls or built-from-scratch developments very often. This being Arcam, though, it didn't surprise me when I heard that they were spending gobs of time and money developing a new statement pre/pro for their top-shelf FMJ line. Back in February, I spent some time with their DV27 DVD player—another built-from-the-ground-up effort—and was sincerely impressed, so I was curious to see what these fellows across the pond could accomplish when they set their sights on the world of flagship pre/pros.

Chris Lewis Posted: Nov 04, 2002 Published: Nov 05, 2002 0 comments
With the Showcase pre/pro-and-amp combo, Krell hits a new low—price point, that is.

Much is made of the intense competition that goes on in the receiver game, and understandably so. For the most part, these are companies that have piles of money to spend on advertising, have the resources and inclination to bring out new models every year, and have hordes of accountants and marketing types to keep watch on things likemarket placement, pricing, competitor activity, and so on. But what about the healthy (and growing) competition in the separates arena, especially at the lower (all things being relative) price points? It may not draw the receiver war's headlines, involve a fraction of the corporate expenditure and model turnover, or feature dueling laser shows from multilevel booths at industry trade shows. But, make no mistake, the competition here is no less intense, no less important to the industry as a whole, and no less beneficial to its particular crop of potential buyers.

Joel Brinkley Posted: Dec 07, 2001 0 comments
For years now, Lexicon has been a darling of home-theater owners, particularly those who care most about their components' performance and least about cosmetics. The home-theater preamp-processors that Lexicon has made in the last five years—the DC-1, DC-2, and MC-1—have been among the best-performing products of their type. But their plain-Jane appearances do not make them stand out for comment when uninformed friends come over to have a look at your equipment.
Chris Lewis Posted: Nov 07, 2001 Published: Nov 08, 2001 0 comments
Lexicon's long-awaited flagship pre/pro finally hits the shelves.

The rumors about Lexicon's new pre/pro have been swirling about for what seems like an eternity. It can do this. It will have that. It may pour you a straight bourbon if you set it up properly. So, it's with no small amount of anticipation that many await their first glimpse of this new megaprocessor, which has been touted (by the grapevine more than Lexicon) as having all of the performance of the highly respected MC-1 with a few more tricks up its sleeve. While the MC-12's goal is certainly to supplant the MC-1 at the top of the Lexicon line, it's undoubtedly aware of the debt of gratitude it owes its predecessor and ancestors like the DC-1, which laid the foundation for the respect and subsequent anticipation that this model enjoyed long before it ever hit the shelves.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading