PROJECTOR REVIEWS

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Thomas J. Norton Posted: Oct 13, 2011 0 comments

Performance
Features
Ergonomics
Value
Price: $6,995 At A Glance: Satisfying brightness on a big screen • Excellent resolution and color • So-so black level and contrast

A few months back, we reviewed the Digital Projection HighLite Cine 260-HC (Home Theater, May 2011). But like most three-chip DLP designs, its $30,000 price could buy a nicely equipped new car. Some day, perhaps, the prices of such projectors may come down to earth, but until then, most of us are left to other options.

Thomas J. Norton Posted: Sep 21, 2011 1 comments
2D Performance
3D Performance
Features
Ergonomics
Value
Price: $5,500 At A Glance: Bright, punchy images • Good (though not highly accurate) color • Middling black level and contrast

Many of us here at Home Theater are big on 3D, but a lot of front-projection fans have been holding off. Until recently, their only options in the $5,000 3D projector market were two identical JVC models (sold either through that company’s pro or consumer distribution channels).

Geoffrey Morrison Posted: Sep 12, 2011 0 comments

Perhaps it was because I wasn't paying attention, but I didn't expect a lot of big projector news to come out of this show. Yeah, I was wrong.

Michael Berk Posted: Sep 08, 2011 0 comments

Doing its part to bring cutting-edge theatrical digital projection technology to a price point that's still hazy but should at least be less thanstratospheric, Sony announced the VPL-VW1000ES projector - the first of its 4K capable SXRD units to be aimed at the home market.

Michael Berk Posted: Sep 08, 2011 0 comments

Well, it looks like another major manufacturer has followed Optoma's lead in bringing the cost of 3D projection down to a reasonable figure.

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Geoffrey Morrison Posted: Aug 24, 2011 0 comments

Plenty of people reading this review may exhibit a rather visceral reaction to the Runco LS-10i projector’s $20,000 price. After all, the Sharp XV-Z17000 DLP projector that I reviewed in Sound+Vision’s last issue was 25% as expensive, was nearly as bright, and did 3D. So what gives? What does the extra money get you? A fair amount, it turns out.

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Scott Wilkinson Posted: Jul 29, 2011 0 comments
Performance
Features
Ergonomics
Value
Price: $999 At A Glance: Excellent detail & color via HDMI • Poor blacks & shadow detail • No lens shift • Excellent user interface

In some respects, the Optoma HD20 is an exceptional value, providing a razor-sharp 1080p image for just about as little money as any projector I know of. It's overall detail and color are excellent via HDMI, and it offers extensive controls, surprisingly advanced features, and a well-organized user interface. However, the lack of lens shift makes placement difficult without invoking the keystone control that can degrade the detail a lot. And even if you solve that problem, the shadow detail is poor, which causes dark scenes have large areas of solid darkness rather than subtle low-level details. Finally, at the largest image size I could manage in our studio given the lack of lens shift, the black level was quite high, which means the black of space was dark gray and letterbox bars were obvious. For better performance in this critical area, a larger image is a must.

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Scott Wilkinson Posted: Jul 29, 2011 0 comments
Performance
Features
Ergonomics
Value
Price: $1299 At A Glance: Good detail & shadow detail • Vivid colors • Not-so-great blacks • Excellent user interface

I've always liked Epson projectors—they generally produce an excellent picture for a reasonable price, which makes them a great value. The PowerLite Home Cinema 8350 is no exception, though it's not quite the home run that Epson's UB (ultra-black) models are. In fact, my primary complaint with the 8350 is its not-so-great blacks, which isn't helped much by the dynamic iris on real-world material. Granted, its blacks are better than those of the Optoma HD20, but they're still too bright to achieve a really great picture, especially in dark scenes. Also, colors are not spot-on accurate with this Epson, though I didn't find that bothersome when watching Blu-rays, DVDs, and TV programming. Another surprise—despite color fringing and softness I saw in certain test patterns, the detail in real-world content was quite good, if just a tad softer than the DLP-based HD20.

Geoffrey Morrison Posted: Jun 16, 2011 0 comments

Sharp was once king of the $10,000 projector class, a class now nearly disappeared. With the 3D era under way, it returns to the game with this $4,995 offering, only to find the market far more competitive than before. Most notable is the $500-cheaper JVC DLA-X3, the baby brother of the X7 model I reviewed in the April/May issue. 

Thomas J. Norton Posted: May 12, 2011 0 comments

Performance
Features
Ergonomics
Value
Price: $9,999 At A Glance: Deep, rich blacks • Accurate color • 3D-to-2D conversion • improved brightness and contrast

3D Gets Big

It seems like only yesterday that I reviewed Sony’s VPL-VW85 projector, but it was a year and a half ago (Home Theater, November 2009). Sony launches a new flagship home theater projector every year at the September CEDIA EXPO, and 2010 was no exception.

Shane Buettner Posted: May 04, 2011 0 comments

Performance
Features
Ergonomics
Value
Price: $7,995 At A Glance: State-of-the-art blacks and contrast • Reference-quality 2D and 3D performance • Painful setup and calibration to achieve best performance

The Agony and the Ecstasy

JVC’s projectors have been fixtures in HT’s Top Picks in recent years. This year, the anticipation of getting our hands on JVC’s newest projectors was even more acute. Not only has the line been completely redesigned for the first time in a couple of years, this is JVC’s first series of 3D projectors. The $7,995 DLA-X7 reviewed here is the middle child, between the $4,495 DLA-X3 (reviewed by Kris Deering on page 58) and the $11,995 flagship DLA-X9, which is essentially a DLA-X7 with hand-picked parts and 3D paraphernalia—two pair of active shutter glasses and a 3D sync transmitter—included. The DLA-X7 is THX approved for 2D and 3D. It carries over virtually all of the significant features from last year’s JVC models, while adding 3D capability. If you don’t believe I couldn’t wait to get my hands on this projector, check with JVC. Their corporate communications guru suffered an incessant onslaught of phone and voicemail messages through the holidays until the DLA-X7 was safely on my doorstep.

Kris Deering Posted: May 03, 2011 2 comments

Performance
Features
Ergonomics
Value
Price: $4,495 At A Glance: Reference-quality 2D and 3D projection • Amazing value • Could be brighter

Value to the Third Dimension

It’s no secret that we’ve become huge fans of JVC’s string of D-ILA projectors. Ever since the DLA-HD1 hit the market years ago, JVC has been a big player on the projector scene, with industry-leading native contrast and exceptional HD picture quality.

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Thomas J. Norton Posted: Apr 28, 2011 0 comments
Price: $29,995 At A Glance: Outstanding resolution and color • Bright—even on a 10-foot screen • Black level and contrast well short of cutting edge

DLP Hangs Tough

Digital Light Processing (DLP) may have jump-started the whole digital display revolution in the late 1990s, but to the consumer, the technology might look like it’s fallen on hard times. Only one major HDTV manufacturer—Mitsubishi—now makes DLP rear projectors. And since DLP is a projection technology, there are no DLP sets that can project an image across a distance of 2 inches or less to compete with today’s popular flat panels.

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Kevin James Posted: Apr 11, 2011 0 comments
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Scott Wilkinson Posted: Mar 25, 2011 8 comments

Performance
Features
Ergonomics
Value
Price: $6995 At a Glance: Gorgeous color • Exquisite detail • Excellent shadow detail • So-so blacks • Exceptional video processing • Stellar optics

Digital Projection International (DPI) might not be a familiar projector company to many home-theater enthusiasts—at least, not as familiar as Epson, JVC, Optoma, and Sony. But commercial users know the name well, because DPI has been supplying high-end, high-priced DLP projectors for broadcast, theatrical, simulation, medical, education, and corporate applications since 1997. In fact, DPI was Texas Instruments' first DLP partner and the original innovator of the 3-chip DLP projector.

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