Blu-ray Movie Reviews

The first decade of the Marvel Cinematic Universe has all been leading to this, an adventure so utterly spectacular that...well, it’s going to need a whole other movie to wrap the story up. Jam-packed with a who’s-who of familiar faces (and masks), Infinity War is a remarkably complex tale of conflict and loss highlighted by thrilling, high-stakes action. No time is wasted in thrusting us into the battle against the malevolent Thanos (Josh Brolin from Deadpool 2).

Although never quite as disturbingly dark nor as overtly sexual as the original, Deadpool 2 is nonetheless a more-than-worthy sequel, recapturing that sublime balance between raunchy comedy and edgy action. The story has surprising heart, as super-powered contract killer Wade/Deadpool (Ryan Reynolds) struggles to cope with a sudden loss while reluctantly coming to the aid of Firefist, a powerful teenage mutant in crisis.

How many more movies and TV shows will simulate virtual reality to tell a “thought-provoking” story about the fate of society? I gave up on Netflix’s Black Mirror because I could not bear another tale of VR gone awry, but Ready Player One brings the pedigree of Steven Spielberg, plus Ernest Cline’s bestselling novel. How could it miss?

Miguel, a feisty youngster in small town Mexico, loves music, particularly the work of his hero, the long dead guitar and singing star, Ernesto de la Cruz. But because his great-great grandfather abandoned his wife and daughter for a career in music, his family remains virulently opposed to music and forbids Miguel’s having anything to do with it.

Thomas Anderson leads a double life. During the day, he is a computer drone for a big corporation; by night, he’s Neo, hacker extraordinaire. Morpheus opens Neo’s eyes to the real world, a vast wasteland where most of humanity has been enslaved by machines that use our bodies as a power source. To reclaim the Earth, Neo must reenter the Matrix in order to overthrow the machines and discover his true destiny in life.

Is Star Wars art or entertainment? The simplest answer to that question is, “It’s both, of course.” But Episode VIII: The Last Jedi proves the question to be less simple than it first appears. Because of all its silly creatures, swashbuckling adventure sequences, million-dollar-a-minute special effects, and cheeky humor, The Last Jedi is at its heart a deeply personal, deeply thematic, deeply deconstructive, big-budget indie film that forces longtime fans to contend with questions about what Star Wars even is and why its unique blend of mythology, arthouse pastiche, and B-movie kitsch works as well as it does.