BLU-RAY MOVIE REVIEWS

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David Vaughn Posted: Sep 24, 2012 2 comments
The buddy movie has been a staple in Hollywood going back to the days of Abbott and Costello. The 1980s revived it with films such as 48 Hours and Lethal Weapon, and there have been quite a few copycats over the years that have made their mark. Like most successful films, sequels are a surety, and this is where the Mel Gibson–fueled franchise proved its worth with nearly $500 million in box-office receipts for the four films.
Thomas J. Norton Posted: Sep 17, 2012 1 comments
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As Marvel’s comic characters go, Ghost Rider is hellishly hard to categorize. From what I can gather from the character’s two films, 2007’s Ghost Rider and this sequel (I’m not a fan of the comics), Johnny Blaze is a motorcycle stunt rider who sells his soul to the devil to save his father’s life. In exchange, he periodically turns into an ancient, fiery demon that searches out evil to suck out its soul. A bummer for sure, but everybody needs a hobby. His motorcycle has apparently sold its carburetor and tires to Beelzebub as well, since whenever Johnny goes all flames and stuff, he’s also treated to one hell of a ride. Talk about sitting on the hot seat.
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Corey Gunnestad Posted: Sep 10, 2012 0 comments
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Long before Batman had the Joker, the world’s greatest detective, Sherlock Holmes, had an evil nemesis who was every bit his equal in intelligence and powers of perception; the yin to his yang, so to speak. Professor James Moriarty was a precursor to the Bond villain and a blueprint for every criminal mastermind to come. In the previous Sherlock Holmes film, he was a mysterious and sinister presence concealed in darkness. For A Game of Shadows, he comes to the forefront to challenge the master detective to a game to the death and is played with relish by Jared Harris.
Chris Chiarella Posted: Sep 04, 2012 3 comments
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An old adage (OK, I just made it up) says that if you’re going to make a movie in 3D, you’d better give the audience something interesting to look at. The Mysterious Island does just that, dazzling the eyes with nonstop wonders held together by a wholly adequate plot. Young Sean (Josh Hutcherson) is having trouble living the suburban life of a normal teen after the excitement of his journey to the center of the earth. And soon enough, a cryptic message from his missing grandfather sets him off on a new adventure halfway around the globe, this time chaperoned by his supercool stepdad (Dwayne Johnson).
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Shane Buettner Posted: Aug 28, 2012 0 comments
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Chinatown is an impossibly perfect movie from the glory years of the 1970s, when great filmmakers were routinely working within the Hollywood system. Consider that Chinatown’s 1974 Oscar competition was Coppola’s The Godfather: Part II and The Conversation, and you get the idea. Robert Towne’s complex but tightly woven screenplay, set amid L.A.’s 1930s water wars, is a clinic on screenwriting. Every detail is of great consequence as the misdirection peels away and the baser, more painful truths are revealed, culminating in a haunting, unforgettable ending that starkly reveals the cynicism of the film’s title.
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David Vaughn Posted: Aug 20, 2012 0 comments
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Losing your spouse has to be one of the most heart-wrenching experiences anyone could ever face. Throw in a couple of young kids who must also cope with the loss, and the surviving parent is in store for a very rough ride. When we meet Benjamin Mee, it’s been six months since his wife passed. His two kids, 14-year-old Dylan and 7-year-old Rosie, are trying to adjust but aren’t faring well. The widowed dad is reminded of his wife wherever he goes in town, and Dylan gets expelled from school due to his unique art and a theft problem. It’s definitely time for a change of scenery.
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Fred Kaplan Posted: Aug 14, 2012 0 comments
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There are few more enduring classics of American theater than Tennessee Williams’ A Streetcar Named Desire, an over-the-top, sweaty steam bath of a play that straddles Greek tragedy and Gothic camp yet still commands attention, even astonishes, 65 years after its creation. The show ran on Broadway for two years; the film adaptation was shot two years after that; both were directed by Elia Kazan and starred Marlon Brando. This was only Brando’s second film. He was 27 years old. And despite all the subsequent parodies of his sultry pout and his mumblecore rage (“Stella! Stel-l-l-laaa!”), he was a blazing-hot actor. It’s a natural heat that he radiates, and he modulates it seamlessly, from simmer to boil and all shades in between. Brando’s amazing to watch: The acting is all there on the surface, yet he’s so immersed in his character, it seems completely uncontrived. You see the moves and attitude that countless actors later copied, but none of them ever matched this. (That said, his performance in Kazan’s On the Waterfront three years later was even better, subtler.)
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Thomas J. Norton Posted: Aug 13, 2012 2 comments
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When I was a wee lad, I was taken to a movie about a boy and his dog. It was a Lassie movie, I believe, although I was too young for that to mean anything. According to my mother, however, I cried so hard they could hear me in the back of the balcony. (All theaters had balconies in olden times.)
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Chris Chiarella Posted: Aug 07, 2012 3 comments
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Tom Cruise returns as IMF agent Ethan Hunt for this fourth film in his big-screen Mission: Impossible franchise, and this might just be the best one yet. Hunt is the sort of fellow I secretly hope we have on the federal payroll: fearless, cool under pressure, and a quick study in almost everything. He’s a good man to have on our side when the going gets rough because he simply will not quit as long as he has a pulse.
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David Vaughn Posted: Aug 02, 2012 0 comments
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During World War II, Casablanca served as an exit point for many Europeans seeking to escape the gripping hand of the Nazis. American expatriate Rick Blaine (Humphrey Bogart), owner of Rick’s Café Américain, isn’t what you would call a people person. When Rick’s ex-lover, Ilsa Lund (Ingrid Bergman), arrives in town with European resistance fighter Victor Laszlo, they seek out Rick’s help in obtaining papers to escape Casablanca. Can the man who refuses to “stick his neck out for nobody” set his cynicism aside and do the right thing?
Michael Berk Posted: Jun 08, 2012 0 comments

Last night we dropped by the 7.1-equipped 3D theater in Dolby's midtown offices for a sneak peek at Francois and Pierre Lamoureux's Pat Metheny: The Orchestrion Project, the forthcoming theatrical 3D film of jazz legened Pat Metheny's latest "solo" outing with his mechanical orchestra.

Michael Berk Posted: Jun 07, 2012 0 comments

If you're the sort of person who enjoys watching classic concert films and music documentaries (and let's face it, you're reading Sound+Vision, so I'm pretty sure you are), you probably wouldn't mind having access to a big archive if such things, available from wherever you are on almost any device.

Qello is here to help.

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