Subwoofer Reviews

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J. Gordon Holt  |  Jun 24, 2002  |  0 comments

It's an article of faith among audiophiles that you can "hear" materials. It just stands to reason that, if a loudspeaker cone has a certain sound when tapped with a fingernail, then everything it reproduces will be colored by that sound. This is why an audiophile will tap the exposed cones of an unfamiliar loudspeaker to see what they sound like. But not every material has a characteristic sound; some aren't stiff enough to vibrate. A wet dishrag, for example, has no sonic "signature." Only if you hit something with it does it make any sound at all, and then it just goes splat. But any material stiff enough to push air without wilting is likely to have some kind of resonant mode that we can hear, so you just know that a metal loudspeaker diaphragm is going to sound metallic.

Mark Fleischmann  |  Nov 14, 2014  |  3 comments

Studio 230 Speaker System
Performance
Build Quality
Value
Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,630

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

David Vaughn  |  Feb 16, 2017  |  2 comments

Performance
Features
Build Quality
Value
PRICE $1,100 each; $2,200 as reviewed

AT A GLANCE
Plus
Powerful bass for a compact sub
Performs extremely well with music and movies
Minus
Lacks last half-octave of deep bass you can get from larger subs

THE VERDICT
If you’re limited on space but have adequate funding, this is the strongest-performing compact sub I’ve auditioned.

It’s another American business success story. A couple of kids, Jim Birch and Lucio Proni, begin building home loudspeakers during summer break in 1975. More than 40 years later, Jim and Lucio are still going strong, having seen JL Audio become one of the most respected consumer electronics brands in the world, branching out from the home to mobile and marine applications. I’ve experienced their products at some custom shops and have read glowing reviews of their subwoofers over the years. My favorite review was by my colleague Darryl Wilkinson, who said the company’s Fathom f212 sub could play a 20-hertz test tone loud enough to liquefy his bowels! High praise, indeed.

Daniel Kumin  |  Feb 21, 2014  |  1 comments

Performance
Features
Build Quality
Value
PRICE $1,500

AT A GLANCE
Plus
Powerful, deep bass from a compact 10-inch box Elegant visual design Flexible, fully implemented two-way crossover
Minus
Expensive

THE VERDICT
A small, or at least smaller, subwoofer that goes truly low, loud, and clean—and looks sharp doing it.

What can you say about a subwoofer? It goes this low, that loud. It has these jacks, knobs, and features and is yea big and costs yon dollars. And really, that’s about it; almost all other discussion is so much verbiage.

Response “flatness” from a speaker covering barely two octaves is of little consideration unless a sub is horribly peaky (a few are), especially since room effects invariably dwarf such variations anyway.

David Vaughn  |  Mar 11, 2020  |  5 comments

Performance
Features
Ergonomics
Value
PRICE $3,500

AT A GLANCE
Plus
Powerful output for a compact model
Onboard Digital Automatic Room Optimization
Dual-sub setup option
Minus
Lacks below-20Hz extension
Gloss black finish attracts dust

THE VERDICT
The f110v2 lacks the output and extension of a larger sub, but packs quite a punch given its modest size.

According to Merriam-Webster, a fathom is a unit of length equal to six feet that's used to measure the depth of water. But for JL Audio, Fathom is a family of subwoofers that dig deep into the lower depths of the audio spectrum. The company, which has been around north of forty years, was started by Jim Birch and Lucio Proni, who started building loudspeakers during their summer break back in the 1970s and never stopped.

Mark Fleischmann  |  May 21, 2007  |  First Published: Apr 21, 2007  |  0 comments
Brains, brawn, and bombast.

"Eventually," one of my musical idols once told me in an interview, "everything you said you'd never do, you do. If you're lucky, you get to shake hands with Arnold Schwarzenegger." Those words of Robyn Hitchcock came back to me as I wrestled the JL Audio Fathom f113 subwoofer out of its carton. (The Governator himself couldn't weigh much more.) I've told other manufacturers that I just couldn't see myself working up a thousand-plus-word lather about a sub. What was it about this one that made me change my mind?

Thomas J. Norton  |  Aug 12, 2007  |  0 comments

JL Audio is best known for its car audio products. But when it first showed its line of home subwoofers at a CEDIA Expo a couple of years back everyone was blown away—in more ways than one.

Darryl Wilkinson  |  Mar 13, 2012  |  1 comments

Performance
Build Quality
Value
Price: $6,300 At A Glance: Automatic Room Optimization (A.R.O.) with microphone • XLR output to connect one or more slave f212 subwoofers • Dual 12-inch active drivers

Unless you live in South Florida or are heavily into car audio, there’s a good chance you don’t recognize the name JL Audio. That’s because while these guys make dozens of products for automobiles and boats, they only make a few for home theaters. And the cheapest ones—the just announced 10-inch E110 and 12-inch E112, cost $1,300 and $1,600, respectively.

Darryl Wilkinson  |  Jul 05, 2017  |  2 comments

Performance
Features
Build Quality
Value
PRICE $4,500 (plus installation)

AT A GLANCE
Plus
Enclosure designed for walls with standard 2 x 4 construction
13.5-inch low-profile driver
1,000-watt external amp with Automatic Room Optimization
Minus
Retrofit install can be difficult
Expensive

THE VERDICT
This subwoofer system does the seemingly impossible in an impossibly seeming way by hiding an amazingly shallow, high-excursion 13.5-inch woofer, along with the 70-inch-tall cabinet it requires, inside a wall having standard 2 x 4 construction, with only a driver-hiding grille screen as evidence—and it does this surprising feat without causing excessive wall vibrations. Even better, it does all that while performing like a top-end in-room sub.

If I needed additional proof of how much Rob Sabin, our esteemed editor-in-chief (and part-time male stripper for the visually impaired) dislikes me, this would be it. He asks me the other day if I’d want to review another JL Audio subwoofer, one similar to the company’s ginormous Fathom f212, which I reviewed in 2012. I have fond memories of, bruises from, and a partial hernia caused by that 220-pound behemoth.

Daniel Kumin  |  Feb 24, 2021  |  5 comments

Performance
Features
Build Quality
Value
PRICE $1,499

AT A GLANCE
Plus
Incredible extension from incredibly small design
Highly flexible controls and features
Wireless option
Elegant finish
Minus
Limited peak output
Pricey

THE VERDICT
KEF’s KC62 delivers impressively deep bass in an elegant, ultra-compact package, though its output is best suited for smaller rooms or listening at more moderate levels.

Mankind has sought to get more and deeper bass from smaller and smaller designs ever since the first Neolithic audiophile blew through a conch shell and thought, "Damn, I wish this went lower, louder!"

Mark Fleischmann  |  May 30, 2018  |  2 comments

Q Series Q350 Speaker System
Performance
Build Quality
Value

The Kube 12b Subwoofer
Performance
Features
Build Quality
Value
PRICE $3,150 as reviewed

AT A GLANCE
Plus
Atmos add-ons
Coincident Uni-Q drivers
Sub has three placement EQ modes
Minus
Grilles not included
Not as dressy as other KEF products

THE VERDICT
KEF’s Q series combined with its new Kube subwoofer line brings the trademark Uni-Q driver array and a potent bottom end to a lower price point, with reliable performance and an Atmos add-on option.

One of the headlines I considered for this review was “What Becomes a Legend Most.” It’s a poignant song from Lou Reed’s New Sensations. Before that, it was an advertising slogan that sold mink coats in ads featuring Judy Garland, Lauren Bacall, and Marlene Dietrich, among others. Somehow, it fits KEF, the British speaker manufacturer responsible for numerous driver-related innovations, including the Uni-Q coincident array. KEF’s Muon and Blade towers have the fragrance of luxury about them.

Thomas J. Norton  |  Mar 13, 2019  |  2 comments

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value
PRICE $10,200 (as tested)

AT A GLANCE
Plus
Sweet, clean highs
Superb dialogue clarity
Detailed but not aggressive sound
Minus
Slightly limited treble diffusion
R3s make for pricey surrounds

THE VERDICT
With a sweet balance on music and potent, but not aggressive, manner with movies, KEF’s R-series system delivers all-around outstanding performance.

KEF'S R Series speakers have long occupied the middle range of the British manufacturer's offerings. While the previous R Series was starting to get a bit long in the tooth, I found the performance of those speakers to be superb, having reviewed the last generation R700 for Sound & Vision's sister publication Stereophile in 2014.

Tom Norton  |  Apr 23, 2013  |  0 comments

KEF R900 Speaker System
Performance
Build Quality
Value
KEF R400b Subwoofer
Performance
Features
Build Quality
Value
Price: $9,400 At A Glance: Sweet, clean highs • Big, generous soundstage • Flawless fit and finish

If you’ve been passionate about audio for more than a few years, or can name five loudspeaker companies with names that don’t rhyme with rose and begin with a B, you’ve certainly heard of KEF. In the late 1980s, KEF introduced a new concentric driver that placed the tweeter in the throat of the midrange cone. Dubbed Uni-Q, the design has been continually refined for over 20 years and remains the centerpiece of most KEF loudspeakers.

KEF today is part of a Hong Kong conglomerate...

Mark Fleischmann  |  Jul 05, 2013  |  8 comments

Quintet Speakers
Performance
Build Quality
Value
SW-100 Subwoofer
Performance
Features
Build Quality
Value
Price: $1,050 At A Glance: Molded reinforced polymer enclosure • Vertically expanded Tractrix horn • Conventional sub

Compact satellite/subwoofer sets are often affordable, mate well with budget receivers, allow more speaker-placement width than soundbars, lend themselves to wall mounting—and best of all, they don’t hog the room, even if you place them on stands (which would usually produce the best sonic results). What Justice Anthony Kennedy’s swing vote is to the Supreme Court, the spouse acceptance factor is to loudspeaker genres, and the elegant compactness of a sat/sub set just may be the tiebreaker, the factor that makes the difference between having or not having a surround system. Sat/sub sets continue to be the most underrated product category in home theater.

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